Skip to main content

Dry Days: when loops go out of sync in Harbingers


Dry Days video: split screen: man on dry rock/warming stripe graphics
 

Dry Days, composed by Aron Faria, and being performed live by Paul Godwin, Miguel Noya, Dustin Koupal and Aron Faria on April 23rd, 2022, as part of the event, Earth Dayta, is inspired by data that shows the average yearly temperature slowly increasing through the year 2099. 

The foundation of the piece uses two identical musical loops playing simultaneously, with one slowly increasing in tempo to represent the increasing temperature. The simultaneous video sequences similarly shift in tempo and duration, allowing new imagery to appear. The piece shows how change is not always noticeable right away, but over time one can see the effects and feel the impact of small changes on larger systems.

 Dry Days also makes visual use of popular climate change graphics that have been shared with the public over the last several year, known as the warming stripes. Warming stripes (sometimes referred to as climate stripes or climate timelines) are data visualization graphics that use a series of colored stripes chronologically ordered to visually portray long-term temperature trends. The warming stripes were created by Professor Ed Hawkins at the University of Reading in 2018. These graphics show clearly and vividly how global average temperatures have risen over the past 150 years. They are designed to prompt more inquiry and conversation about climate change.

Harbingers are subtle indicators of change in the climate. Harbingers can be extremely local, or global. 

Video stills by Ameera Godwin, from Harbingers

Dry Days shares the common intention of all three movements of the media and music piece, Harbingers, and that is to  apply scientific data to music and video in ways that make use of  logic and math modeling--and, that also offer a lot of leeway for building our own visceral interpretations and emotional mappings to the data. 

We are acting as both scientists and artists as we create this piece to provoke closer connections to the local environment and to the planet.

by Ameera Godwin, Video Artist/Artistic Director, Myrtle Tree Arts for Earth Dayta

 #ShowYourStripes #EarthDay #EarthDayta @myrtletreearts @ameeravideo57 @arconservancy 

 

Harbingers will be performed at the event, Earth Dayta. Please see information and links below.

Web site: https://www.arconservancy.org/event/special-event-earth-dayta/

Make a reservation: https://app.donorview.com/3PM6o
$10/car

Event Location:
941 Cold Springs Rd.
Placerville, CA 95667 + Google Map
Insta: @myrtletreearts

 

 

 

Labels:

Comments

Post a Comment

Popular posts from this blog

RIPE AREA: Renewing Relationships with Water Through Art

RIPE AREA is a play on the term "riparia", the land adjacent to and influenced by water. The waters of the South Fork of American River tumble downstream in the crush of ice melt, rushing in currents, propelled by dam releases, and slowing along sandy flatlands. Wet, fluid fingers fan out among cattails, quietly seeping into sodden ground.  Over time, h umans have changed the river, eroded its banks, mined its tributaries, drained its meadows, and farmed its floodplains. The waters of the South Fork of the American River , for example, are contained by t hree major reservoirs and other smaller man-made reservoirs  El Dorado County. The major dams are  at  Slab Creek Reservoir built in 1967, Chili Bar Reservoir built in 1964 and Folsom Lake Reservoir built in 1955 .  Headwaters of the South Fork of the American River collect in high-altitude Lake Audrain, captured in the image I created, above, for the music and underwater sound art installation, Music for 33 Dr...
Post a Comment
Read more

Ramparts: Centrum Artist Residency, Part 2

Arriving at Fort Worden sent me on a hunt about fortification history and architecture. Following trails through the woods to the top of Artillery Hill, Paul and I encounter the ramparts, solidly built gun emplacements known here as “batteries.” “Bulwark” is another term that feels related to the work from my first week at Centrum: large pencil drawings of entangled old growth cedar and spruce branches and roots. The “bul-” part of bulwark is related to bole, “tree trunk,” while -wark is related to English work, wrought, and wright.  The last of the guns at the fort were removed in 1945, and the defunct battery enclosures, tunnels, stairwells, rusting doors and pipes, lichen-stained concrete, a stately sign with the name, Cornelius Tolles, a captain who died from his wounds in a Civil War battle—comprise these eerie tombs. We start to hymn and sing into the dark reverberating chambers. “What a performance venue!”, our eyes circling in their sockets as we imagine the possibilities....
Post a Comment
Read more

Life After Smoke and Char

A recent classroom-based workshop on Prescribed Burning was my first immersion into learning about fire behavior and concepts rooted in science, law, and practice on the ground. Beneficial Disturbance. Heat Management. F.R.I. for Fire Return Interval. Learning about burning and its connections to culture and biodiversity was a first step toward overcoming my own negative perceptions about fire.  The course was led by experts Chris Paulus and Cordi Craig of Placer County, and coordinated by Kestrel Grevatt and the American River Conservancy, and emphasized the benefits of careful, legal burning. We were introduced to fuels and forest types, fire and wind behavior, state statutes and personal liabilities, Indigenous cultural burning and native plant adaptation. The experience was surprisingly rich.   “The forest has memory,” announced Chris, a well-spoken and commanding retired CAL FIRE Battalion Captain. “The forest has to be allowed to remember itself.” I’m going to borr...
1 comment
Read more