Paul Godwin & Miguel Noya (Dogon) Music for FIRE/LAND: Knowing the Territory has been a huge part of the creation process for this "Art Rock Opera for the Forest." We began with a gorgeous and somewhat somber composition that came about in 2018 when Miguel Noya, the Venezuelan electronic composer attended our artist residency at Talking Tree Ranch in Placerville. The composition is routed in a repeating piano pattern nested rhythmically in the key of C# minor. There is an interwoven melody taken up by piano, then violin and finally a synthesizer enters with a counter theme - swirling, gorgeously rising with an inherent longing and perhaps, sadness. The piece was not released until now, when it found a home in the opening FIRE/LAND Overture – recast as “Whichever Way the Wind Blows.” The piano ostinato will return again as a foundation for “A Moral Dilemma” and then “We All Play a Part” as our Finale. How does one create music for an “art rock opera for the forest”? A