Myrtle Tree Arts Journal

A recent classroom-based workshop on Prescribed Burning was my first immersion into learning about fire behavior and concepts rooted in science, law, and practice on the ground. Beneficial Disturbance. Heat Management. F.R.I. for Fire Return Interval. Learning about burning and its connections to culture and biodiversity was a first step toward overcoming my own negative perceptions about fire.  The course was led by experts Chris Paulus and Cordi Craig of Placer County, and coordinated by Kestrel Grevatt and the American River Conservancy, and emphasized the benefits of careful, legal burning. We were introduced to fuels and forest types, fire and wind behavior, state statutes and personal liabilities, Indigenous cultural burning and native plant adaptation. The experience was surprisingly rich.   “The forest has memory,” announced Chris, a well-spoken and commanding retired CAL FIRE Battalion Captain. “The forest has to be allowed to remember itself.” I’m going to borrow that, I th

Here in the Foothills of Northern California, the potential for wildfire is likely the most imminent and dangerous risk we experience on an ongoing basis. In El Dorado County, the Caldor Fire of 2021 left a massive footprint ecologically and socially, and like other wildfires, including last fall’s Mosquito Fire, it will continue to impact the land and people here. Numerous efforts in the county are addressing wildfire recovery and protection, and aligned with those efforts, I had an idea for public art to be woven into the fabric of awareness, care, support, and resilience, in the face of increasing wildfire and climate-related risks in the region. Walking and driving in areas of the Caldor burn scar can bring up swells of grief, shock, and sorrow, and a sense of unique beauty. I’ve marked spots on a map on my phone where the burn scar shows powerful views of change: in Sly Park and Happy Valley, over the crest of Mormon Emigrant Trail, at the bridge at Silver Fork, up the road to Wri