Skip to main content

Why we're digging into weather...

At Myrtle Tree Arts, we're developing an event we've called Earth Dayta. This site-specific one-night installation will be a musical and visual gathering inspired by live and historical data from nature. Our intention is to dialog with and celebrate the unique surroundings of Wakamatsu Farm and the Sierra Foothills region.
How did this idea come about?
As artists, we already dialog with elements of nature. A new opportunity to creatively use nature-based data became the perfect opportunity to honor Earth Day 2022. Paul Godwin, Elena DeLacy and myself got together with Zack Dowell at the Innovation Center, Folsom Lake College, to talk about data, media, music, and sound.
I started developing a piece I call "Harbingers". Harbingers are subtle indicators of change in the climate. I was looking for data that express subtle variations, those we might ordinarily miss, as raw material. To try to connect the artistic senses to the hard sciences.
Searching for local historical climate data, it was surprising to learn that a key impetus for weather observations, especially in the local Sacramento area, came from medical experts looking for connections between weather data and the transmission of disease.
Specifically, in the 1850s, Dr. Frederick Winslow Hatch was a member of the local branch of the American Medical Association, involved with the Sacramento Board of Health. He studied weather, and in 1855, published “On the Climate of the Valley of the Sacramento, California” in the New York Journal of Medicine. That forty-one page climatology paper was based on his own observations of the seasons, and what he perceived to be relationships between climate and diseases.

“We have devoted thus much to the subject of the daily variation in temperature to which we are exposed, and its influence upon the health, from a conviction that to this single cause many of the diseases met with in this valley are to be attributed in its direct or secondary relation."

Hatch recorded his observations four times a day, at sunrise, noon, sunset, and 10 p.m., including the average temperatures and the extremes, barometric readings, hygrometer’s maximum and minimum dew point and moisture in the air, wind direction and force; and the weather--cloudy, precipitation, days with fog, and the color of the sky. He wrote that even when the sky was cloudless, there was often a vapory condition that obscured the natural sky color.
And, with this one poetic observation from August 1855, the idea for the first movement Harbingers, Color of the Sky, was born. 
 
-by Ameera Godwin, Video Artist/Artistic Director, Myrtle Tree Arts, for Earth Dayta

LINKS TO MORE DETAILS AND RESERVATIONS:

Make a reservation: https://app.donorview.com/3PM6o
$10/car
Location:
941 Cold Springs Rd.
Placerville, CA 95667 + Google Map
Insta: @myrtletreearts

Comments

  1. Fascinating .. I d love to hear more about this. And see where it goes.

    ReplyDelete

Post a Comment

Popular posts from this blog

Life After Smoke and Char

A recent classroom-based workshop on Prescribed Burning was my first immersion into learning about fire behavior and concepts rooted in science, law, and practice on the ground. Beneficial Disturbance. Heat Management. F.R.I. for Fire Return Interval. Learning about burning and its connections to culture and biodiversity was a first step toward overcoming my own negative perceptions about fire.  The course was led by experts Chris Paulus and Cordi Craig of Placer County, and coordinated by Kestrel Grevatt and the American River Conservancy, and emphasized the benefits of careful, legal burning. We were introduced to fuels and forest types, fire and wind behavior, state statutes and personal liabilities, Indigenous cultural burning and native plant adaptation. The experience was surprisingly rich.   “The forest has memory,” announced Chris, a well-spoken and commanding retired CAL FIRE Battalion Captain. “The forest has to be allowed to remember itself.” I’m going to borrow that, I th

Creating Music for FIRE/LAND

Paul Godwin & Miguel Noya (Dogon) Music for FIRE/LAND: Knowing the Territory has been a huge part of the creation process for this "Art Rock Opera for the Forest." We began with a gorgeous and somewhat somber composition that came about in 2018 when Miguel Noya, the Venezuelan electronic composer attended our artist residency at Talking Tree Ranch in Placerville. The composition is routed in a repeating piano pattern nested rhythmically in the key of C# minor. There is an interwoven melody taken up by piano, then violin and finally a synthesizer enters with a counter theme -  swirling, gorgeously rising with an inherent longing and perhaps, sadness. The piece was not released until now, when it found a home in the opening FIRE/LAND  Overture – recast as “Whichever Way the Wind Blows.” The piano ostinato will return again as a foundation for “A Moral Dilemma” and then “We All Play a Part” as our Finale.  How does one create music for an “art rock opera for the forest”?  A

Ramparts: Centrum Artist Residency, Part 2

Arriving at Fort Worden sent me on a hunt about fortification history and architecture. Following trails through the woods to the top of Artillery Hill, Paul and I encounter the ramparts, solidly built gun emplacements known here as “batteries.” “Bulwark” is another term that feels related to the work from my first week at Centrum: large pencil drawings of entangled old growth cedar and spruce branches and roots. The “bul-” part of bulwark is related to bole, “tree trunk,” while -wark is related to English work, wrought, and wright.  The last of the guns at the fort were removed in 1945, and the defunct battery enclosures, tunnels, stairwells, rusting doors and pipes, lichen-stained concrete, a stately sign with the name, Cornelius Tolles, a captain who died from his wounds in a Civil War battle—comprise these eerie tombs. We start to hymn and sing into the dark reverberating chambers. “What a performance venue!”, our eyes circling in their sockets as we imagine the possibilities.  May